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Album Review: Kevin Gates – Real N*gga Holiday

Love Over Lyrics: How ‘Real N*gga Holiday’ Leaves Day-One Fans Behind

An author portrait of DeeWeb, a music reviewer, possibly taken in a casual setting.
A couple embracing while smiling, with the woman holding a bouquet of red roses. The man wears a cap and a white shirt, showing visible tattoos on his arms.

I have to be brutally honest: I’m always apprehensive of projects from rappers released immediately after a breakup or the announcement of a high-profile relationship. I dub it the “Future Honest syndrome,” and in my experience, it usually leads to lackluster results. Following my disappointment with Luca Brasi 4, I wanted to give Kevin Gates a chance to redeem himself. Sadly, my original uneasiness was confirmed. Outside of a few high points, Real Nigga Holiday feels like an ode to his new leading lady filled with trap-infused affirmations. While this may appeal to the ladies, it will likely leave day-one Gates fans scratching their heads.

The album actually starts with a classic, Luca Brasi-sounding Gates on the opening track, “GRWM,” which is easily one of the best songs on the project. After that, however, “Holiday Gates” makes his appearance on “Come My Way.” It isn’t a bad track, but it is extremely short—clocking in at just over a minute—making it feel more like an intro than a full-fledged song. Employing a “Computer Love” sample, Gates goes into full ballad mode. While he has had melodic success with “crooning” in the past (Satellites), it feels like a bit too much here, even for a short project.

Since this project leans heavily into borderline R&B territory, I won’t harp on the lyrics. You get the standard fare of trap love mixed with a few introspective bars, but largely, this feels crafted for a specific audience. There are only two features. One is Ray J on “Real Nigga Tendencies,” and as you might imagine, there is way too much “bipolar energy” for one track. It felt more like a shock-value feature, and the track ended up feeling overproduced. This is followed immediately by the Afrobeats-infused “We Don’t Care” featuring Jeremih. While not a bad song, it feels like a “wave-riding” moment; featuring an actual Afrobeats artist might have salvaged it, but as it stands, it sounds forced.

To wrap up, while there were no outright skips (unlike Luca Brasi 4), this project felt like too much of a departure from Gates’ strengths: thumping anthems and introspective bangers. While I’m not against experimenting, this release simply wasn’t for me, though I’m sure it has a target audience.

Standout Tracks: GRWM, Come My Way

Album Rating:👑👑👑👑👑 (5.5/10)

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