Boosie & Webbie’s ‘Back At It’: A Nostalgic Trip That Shows Its Age

Released October 24, 2026

Some two decades after the legendary Pimp C introduced the world to Baton Rouge and the young, charismatic duo of Lil Boosie and Webbie, the pair has returned from a bit of a hiatus with Back At It. Through health issues, legal troubles, and controversy, the two have managed to remain locked in and drop a new release in 2026—a true testament to their longevity in the game. As a fan of their early work, I was definitely excited to check out this project, and I can say the chemistry remains intact, even if their age is starting to show a bit. I guess the best way to put it is that this project gives off heavy “Jordan on the Wizards” vibes (good, but not great), with the pair hitting us with some nostalgic, high-energy tracks while failing to reach the same heights as their peak.

Coming in at a compact 9 tracks (actually 10, but one is a clean version of “Pull Up”), the project kicks off with the lead single, “Pull Up,” which is also the best song on the offering—boasting good energy and that classic Louisiana bounce. From there, we basically get a consecutive string of ass-shaking tracks with “Come On,” “Walk,” and culminating with “Shake That,” though each feels slightly more repetitive than the last. “Tombstone” finally switches up the vibe with that classic gangsta energy, followed by “Take It There.” A noticeable shift from previous Boosie and Webbie collaborations is the omission of any classic street anthems; we didn’t get any of that “Swerve” or “Smoking on Some Purple” energy, which is a damn shame.

The production is mostly what you would expect: trap beats and heavy bass infused with a subtle Louisiana twang. Baton Rouge and New Orleans definitely have a unique regional sound, and despite its global reach at this point, they kept that distinct production style in their beat selection. That being said, while I earlier applauded their remaining chemistry, I did feel that Webbie was shaking off some rust—or maybe lost a step—with most of the high-energy verses coming from Boosie. Furthermore, while I didn’t expect a radical change in their lyrical content, both artists are elder statesmen at this point, and it would have been a nice change of pace to hear some introspective fare (done in their own way, of course).

Overall, it’s always a welcome thing to get fresh music from two of Trill Entertainment’s trailblazers. While it’s a bit of a drop-off from their classic projects, there are definitely a few slaps here to satisfy the fans and feed that nostalgia.

Standout Tracks: Pull Up, Take It There

Album Rating: 👑👑👑👑👑½ (5.5/10)